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Tour 2 of 5

Three panels, one work

Red, yellow, cross-shaped and black triptychs: twenty years of large formats in several panels.

≈ 2 min · 6 works

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Roland Buraud often painted in several panels: triptychs and diptychs, set side by side. This route follows these large formats, from the 1988 Red Triptych to the 2007 Black Triptych.

  1. Red triptych, 1988–1989

    Red triptych

    1988–1989Oil and acrylic on cardboardImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud

    The Red Triptych, 1988 – 1989, opens the red period devoted to dance. Three cardboard panels, painted in oil and acrylic.

  2. Le Printemps (Spring), 1990

    Le Printemps (Spring)

    1990 · 200 × 390 cmAcrylic on canvasImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud

    Le Printemps, 1990, the first triptych from the Bastille studio. Its three canvases form a single wall of painting, almost four metres wide.

  3. Yellow triptych, 1992–1993

    Yellow triptych

    1992–1993 · 195 × 450 cmOil on canvasImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud

    Yellow Triptych, 1992 – 1993, oil on canvas. It belongs to the period of the tilt, when the bodies begin to lose their balance.

  4. Cross-shaped triptych, 1995

    Cross-shaped triptych

    1995 · 195 × 130, 228 × 28 et 195 × 130 cmOil on canvasImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud

    Triptych in a Cross, 1995: here the panels are no longer simply side by side. Count them and see how they fit together.

  5. Untitled, 1998–2002

    Untitled

    1998–2002 · 200 × 300 cmOil on canvasImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud

    A diptych from the late 1990s. Two panels are joined edge to edge; from 1998, black backgrounds take over the studio.

  6. Black triptych, 2007

    Black triptych

    2007 · 195 × 486 cmOil on canvasImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud

    Black Triptych, 2007: two metres by four and a half. Alain Nahum filmed it being painted, over six months, in Regards qu’on plisse.

End of the tour

Alain Nahum’s film, in the studio room, shows the painter at work on this last large triptych.

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