1987 – 2004
Danse · 1987 – 1988 · 1
20 works
“To draw is to put forward hypotheses about where things belong. It is to make form become form.” The dance drawings were made in graphite in 1987 and 1988, during Kókó Jaspar’s class; there are about eight hundred of them, in four different formats.
“To paint until the moment when it could become painting, but to draw the way one plays the piano.”
Milestones · Paris
- 1987
- Chaque semaine au cours de Kókó Jaspar, metteur en scène et chorégraphe : environ huit cents dessins de danse
- 1987
- Une fois par semaine pendant trois ans au cours de Kókó Jaspar, au moins quinze dessins par séance
- 1988
- Le Génie de la Bastille, Paris
- 1988
- Le Génie de la Bastille, Paris
- 1989
- Synapsiades, Axon S.A., Montmirail ; passage à la toile des peintures de danse
- 1990
- Le Printemps, premier triptyque peint dans l’atelier de la Bastille (trois panneaux de 200 × 130 cm)
- 1990
- Cahiers de dessins
- 1991
- Le Printemps est démonté et roulé ; début de la série des Symphonies
- 1991
- Palais des festivals (Midem) et Espace Bellini, Cannes
- 1991
- Première période des Gynéphores
- 1992
- Mac 2000, Grand Palais, Paris
- 1992
- Mac 2000, Grand Palais
- 1993
- Atelier WG, Amsterdam ; la peinture, jusque-là verticale, bascule : les corps chutent
- 1993
- ISC Mécen’Art, PARVI, Paris
- 1994
- Galerie Lillebonne, Nancy ; « La bouche d’ombre », catalogue Mac 2000
- 1995
- Seconde période des Gynéphores : la période bleue
- 1995
- Gynéphores
- 1996
- Galerie Von Engeln, Paris
- 1997
- Ap’Arté, Paris
- 1998
- Les fonds noirs envahissent l’atelier : début des grands diptyques (200 × 300 cm), qui inaugurent la période noire
- 2001
- Début des 110 petits formats des Chutes, à partir de chutes de toiles
- 1999
- Érotiques

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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland BuraudIn the themed tours
- The body in motion
A dance drawing in graphite, made during the class. There are about eight hundred of them: the line follows the bodies to the rhythm of the music.
- The body in motion

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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud
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1987–1988Graphite on paperImage: Archives Roland Buraud · All rights reserved · estate of Roland Buraud